I need a bigger mixer.
On Kasey Chambers' web site, I finally found the
navigation buttons (they weren't in the code for the
main page -- I had to look at the JavaScript for the
main page to get the URL of the navigation function,
then read that for the address of the page that had
links to lyrics/chords, and that page used
JavaScript buttons to pop up windows for the chords
for each song, so I dug through the JavaScript for
that page as well to get to the chords for the song
I wanted). Why the Hell do people design sites that
require client-side scripting for basic fucking
navigation??? (Pardon my Frenc^H^Hedom, but it
feels like profanity-worthy levels of stupidity to
me.)
So I printed out the rather simple chords for
"We're All Gonna Die Someday", and found that playing
the chords chased the melody partway out of my head,
which wasn't entirely unexpected. That meant going
back to the videotape to hear it again, but I want
to reuse that tape later, so I figured I should dub
the audio to another medium -- either pipe it into
a computer or put it on a Phillips
cassette1 -- so
that I could listen to it enough times to make it
stick in my brain (or work out the notes and
transcribe it). And that meant finding a cable long
enough to go from the bedroom to the office (I had
to grab one from my guitar case because the bag of
cables the one I wanted should've been in is missing),
looking for an adaptor, and running it into the mixer
in the office. The cable is about ten feet shorter
than it should be -- it reaches without undue strain
on the connector at either end, but there's not
enough slack to get it as far out of tripping-over
range as I'd like.
So now my 8-channel mixer has two channels taken
up by the CD player, two for the cassette deck,
two for the radio, one for the television/VCR, and
one left over to plug in a guitar or a microphone.
If I leave the telly plugged in, then I can listen
to shows at the computer, or when the next door
neighbours crank up their subwoofer too loud and I
need to drown it out, I can run the television
through the big speaker I use for that if I'm trying
to watch television at the time instead of listening
to a CD. I think I like the idea of the flexibility.
But I'm running out of channels. I've got a
project in mind (ifwhen I finally get around to it)
that'll require unplugging a few things at this
point in order to plug in what I'll need for it.
And if I ever start trying to do interesting things
with the video camera my brother gave me, I'm going
to want to take an output from the mixer to send to
a VCR. Fortunately the "Effects 2" send is still
available for that so far, as long as I don't want
to record in stereo (which one of my VCRs will do,
though my television is mono).
I want a bigger mixer. Or a second mixer (use
one for mixing recording projects and the other
for directing home-stereo components maybe, and
tie the two together). I might be able to hack
together a powerful but ugly kludge by creative
use of ordinary hi-fi amplifiers with multiple
inputs, once I get one or two of those working
from the project-pile. (Of course one benefit of
having a second mixer would be that I could yank
it out to take with me for an out-of-the-house
recording project or PA use without having to
disassemble my stereo to do so.) Obviously my
current finances preclude doing anything more than
thinking about what I'd like to have if I won the
lottery or something -- as long as I'm still
borrowing money from Mom for health insurance, car
insurance, utility bills, and groceries, buying
equipment that I don't actually need for
anything more than convenience is out of the
question -- but I can't help thinking how nice
it'd be to have a 16x8 recording mixer instead
of my 8x2 PA mixer, or how something with some
stereo channels that usually annoy me (such as
a Mackie 12-channel) would come in handy for
mixing stereo components.
Of course, no matter how spiffy a beast I got
my hands on, I'd eventually fill it up or come up
with a project that needed something bigger. More
power inspires me to try to do more. But it'd be
really nice to be able to send any source to any
destination, with or without effects, without having
to remember that the speakers are on "Tape Out", the
computer listens to the main outputs, I listen to
the computer on "Tape In", and I have to manually
cut the tape deck's channels before pressing the
"Record" button on the cassette deck. (There
are reasons for all of those, don't
worry.)
Now to go eat pizza with a friend. Except for
not making out to see the previously mentioned
out of town friend earlier this afternoon, today
is so far shaping up as somewhat less frustrating
than yesterday. And I'm grateful to the folks
who commented on my "Damned Body!" entry last
night, even though I haven't gotten around to
responding to any comments yet.
[1] Phillips Cassette
-- those good old 1/8-inch audiocassettes that
most people never really think about the name of,
as differentiated from 8-track cassettes, various
formats of videocassettes, 8mm cassettes, QIC-20
cassettes, and so forth. Do folks still record
on those any more, or is everybody using DAT,
minidisc, and MP3 these days?