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posted by [personal profile] eftychia at 05:26am on 2006-12-18 under ,

Craig Ferguson, on The Late Late Show with Craig Ferguson (CBS), opening monologue, aired in the wee hours of 2006-12-13 (presumably recorded 2006-12-12) -- read the spoken parts in a Scottish accent if you can:

The opera is a little more accessible now, 'cause they use the [...] surtitles [...] They translate what's happening so you can know what the opera is about, which kinda wastes it, I think, really. 'Cause when you find out in The Marriage of Figaro what Figaro's singing, you're like, "nah, I'd rather not know." 'Cause what he sings [...] he comes out and he says:

[sung]

I am Figaro,
Better than you.
You suck,
I'm great.
I am --
Figaro.
Take that!
[bleeped]
[gives audience the finger (pixellated for broadcast)]

He's like [interrupted by applause] That's what he does, that's what he does!

We can edit that out. We have all sorts of technology to deal with that. But that's what happens in the opera. It's all ... Figaro's all:

[sung, strutting around the stage, gesticulating]

I'm so great,
I'm a big fat great guy...

It's all bragging. Opera was kind of like the hip-hop of its day. See what I'm saying? It was all so "I'm so great". It's like:

[sung, more staccatto, with 'gang' hand gestures]

I'm Figaro, barbero,
Pimpero, playero.
Give me some sass
And I'll put a cap in your ass!

[Video of the whole monologue might still be available at the show's video clip page on the CBS web site (I hope). I'm not certain what plugin is needed to view the clips there. Blame spelling and transcription errors on me -- I transcribed it from videotape.]

There are 2 comments on this entry. (Reply.)
 
posted by [identity profile] netpositive.livejournal.com at 05:10pm on 2006-12-18
Ha! Michael has a similarly funny speech about Sparafucile of _Il Trovatore. "Hi, my name is Sparafucile, I'm your local assassin. I do good work -- you need anyone bumped off or anything?"

At least the characters and plot of Figaro make some vague internal sense, and it has a few moments where suspending believability is not utterly impossible.

Now I love a lot of opera, and I actually grew up with a local opera company doing English translations so I'm rather used to putting up with opera goofiness be it light comedy or gloomy tragedy... but I admit I can sympathize a bit with this, as the whole concept behind _Cosi Fan Tutte_ just drives me absolutely berserk, I literally can't listen to it knowing how implausible it is....
 
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Twelve Imagealmedas drumming
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Ten Imagedonnads a-leaping
Nine Imageshikamachus dancing
Eight swords a-milking
Seven computers a-swimming
Six macos a-cooking
Five bo-o-o-ooks
Four thunderstorms
Three chastity belts
Two gratuitous hugs
...and a bondage in an available light photography.
Get your own Twelve Days (http://thesurrealist.co.uk/12days):

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