eftychia: Me in kilt and poofy shirt, facing away, playing acoustic guitar behind head (cyhmn)
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I need to find a way to grow two more arms. And maybe another lobe of brain, I'm not sure.[1]

So far, the only objection I've heard to my playing the double bass in the Homespun Ceilidh Band is that I'm needed too much on guitar. So if I had four arms, suitably arranged for playing both instruments at once ...

And on those occasions when I'm playing only the double bass, having two more arms would solve the stabilization problem I have when trying to play it behind my head the way I do with the guitar.

Now I just have to figure out how to arrange for extra limbs. I don't have the financial resources to follow in Otto Octavius' footsteps -- who else has non-congenital extra limbs, and how did they get them?

I bet Sgt. Schlock could play guitar and double bass at the same time.


In more immediate and less fanciful planning, there's a recorder workshop today that I'm actually awake in time for, and doing well enough pain-wise to seriously consider attending[3] ... but it's all the way up in Towson, and though I think I can figure out how to get there without going faster than 30 MPH (I think I can just wend my way up to around North & Charles, and continue out Charles to Towson, though I'm not sure how long it'll take), it's far enough to make me nervous about driving my wounded car even at not-highway speeds.

I'd like to go to this workshop. I'm still trying to decide whether it's a good idea. Maybe I should start de-icing my car while making up my mind.

The one next month is a bigger deal, but this one does sound useful (and fun).


[1] On the one hand[2], trying to play the sorts of bass lines I come up with at the same time as the aggressive rhythm guitar parts I play would require more mental coordination than the fairly simple drum parts I played with my feet while playing bass guitar in Wild Oats. On the other hand, it's a similar degree of "split the brain" as playing different patterns with the left and right hands on a piano, which, although it has eluded me so far, is a skill common to normal-brained pianists. So I don't know whether I'd need extra brain to control the extra arms or not. Is there a neurologist in the house?

[2] Sorry. I didn't notice the inherent pun until I started typing "on the other hand", honest. Well, okay, I'm not actually sorry, but it really was inadvertent.

[3] I'm not actually doing well pain-wise, so the decision is kinda borderline on that score as well, but I figure I can sit in the back and try to be unobtrusive if the pain and fatigue get to the point where I can no longer concentrate or have difficulty playing. Something that involved a lot of walking would be out of the question today. "Walking down stairs or lifting the teakettle hurts enough that I feel like I'm going to cry" is lower on the pain scale than "bad enough to make cancelling plans an easy decision". And I've only taken tramadol (Ultram) so far today, so I've still got another degree of medication to use if I decide to go.

There are 7 comments on this entry. (Reply.)
ext_97617: puffin (Default)
posted by [identity profile] stori-lundi.livejournal.com at 04:30pm on 2007-03-17
oooh, what's the info on the recorder workshop? I might be interested in going.
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posted by [identity profile] dglenn.livejournal.com at 04:37pm on 2007-03-17
It's the monthly meeting of Society for Early Music, which is the Baltimore/central Maryland chapter of the American Recorder Society.

From the most recent email:

Our March meeting will be held this Saturday, March 17, at 1:00 at Maryland Presbyterian Church on Providence Road just outside the Beltway in Towson. The bulk of the meeting will be a lecture/demonstration/hands-on(by us)-playing by Kevin's group "Consort Anon" and the topic will be playing Medieval music.


IIRC, they'll also be rehearsing some music for a gig next weekend.
ext_97617: puffin (Default)
posted by [identity profile] stori-lundi.livejournal.com at 04:41pm on 2007-03-17
Oh darn, can't get there in time but I'll see if I can sign up for their mailing list to go to the workshops. I haven't played in ages but it comes back pretty quickly. They won't laugh at me if all I have are my plastic yamahas will they? I think I might be able to dredge up my old wood one.
 
posted by [identity profile] dglenn.livejournal.com at 04:50pm on 2007-03-17
They don't laugh at my plastic Yamahas or my plastic Aulos. :-) (Okay, my tenor is wood, but I mostly play bass and alto there, both plastic.)

As I mentioned, next month's workshop is a bigger deal. I've stuck the (PDF) flier for it on the web, here (http://www.panix.com/~dglenn/tmp/SEM_Spring_Workshop.pdf).
 
posted by [identity profile] doubleplus.livejournal.com at 06:10pm on 2007-03-17
I think you'd be better off with some kind of automaton wired into your brain. It seems like it would be hard to attach the extra arms so you could play both at once without them getting in each other's way. It would also be cheaper to have an arms-and-torso-only automaton, though that wouldn't help with lifting the double bass. (It seems like there's a word I'm looking for other than "automaton," but I can't think of what it is. However, googling for "automaton brain wired" turned up this.)
 
posted by [identity profile] gitsh01.livejournal.com at 06:53pm on 2007-03-17
You'll need to have your two new arms grafted on backwards, so you can hold the guitar against the front of your body, and the double bass against the backside.

Perhaps cloning would be more efficient?
 
posted by [identity profile] dglenn.livejournal.com at 08:10pm on 2007-03-18
But I'd have to wait for the clone to grow up and learn to play, and what if my clone turned out to have different musical tastes?

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