"Don't explain the background of a song in more than one main sentence - if I haven't read the book I don't want a summary of it now; have trust in your song and that the perfomance will carry the entertainment; have you ever heard Queen explain what's the meaning of Bohemian Rhapsody? No one understands that song. No one's complaining either." -- Christine Hintermeyer, 2007-04-10, on stage patter.
[I can see genre-based, song-based, and venue-based exceptions to this rule even if it's a good rule of thumb[*]. So I'm less interested in hearing opinions about whether it should always be followed absolutely, than whether it's a good general guideline.]
[*] I know, I know, there are etymological landmines in that phrase. I'm still searching for a replacement idiom that works as well and flows as naturally.
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if it can't be done in a minute or less and be entertaining in the bargain, the correct approach is to ask the audience "how many of you are familiar with the books of so-and-so?" and if most of them aren't, don't play that song. if most of them are, say "well, at least some of you will get it, then," and move on.
okay, i'm just holding forth like a big windbag now, but i have a bug up my butt about people with poor performance skills. i recently saw a highly respected local musician open a benefit concert, and it was absolutely the worst opening set i'd ever seen. now, this guy is gray-haired and has been a fixture of the Austin music scene for something like 25 years, but somehow in all that time he's never learned a number of things i figured out years ago:
i have an enormously talented friend who used to always lose his audience after the second set. he does two kinds of songs, in the main: clever parody stuff, and tearjerker honky-tonk. he'd pack the first set with funny stuff and do all downbeat songs in the second set, and most of the audience would get bored and leave.
anyway. yeah, still lecturing. time to shut up now. sorry, i'm always stumbling over soapboxes like this.
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since i don't hang around filkers (it's too painful, i have perfect pitch, man), i don't run into this in that area, but i do see a depressing number of authors succumbing to an urge to overexplain. even published books are often filled with pages of unnecessary exposition or awkward constructions that attempt to explain ideas that the reader's imagination should be entirely sufficient to cope with. it's worst, of course, in sci-fi and fantasy books, since they are by definition filled with concepts that are unfamiliar to the reader.
it makes me grind my teeth.
i'm a tech writer -- i explain things for a living. still, my philosophy when it comes to my job and to fiction is to keep the explanations to a minimum. if something needs enough explication that it requires a digression from the matter at hand, you can find a better way to handle it -- a glossary, a reference section, or, in the case of fiction, finding a way to work it into the storyline in a way that isn't distracting. (flashback scenes can work for this. one character can tell a story to another. but for the love of all that's holy, please never write anything like this:
dragging a reader out of a storyline to explain something that could be made clear from context instead, or wasting time in front of a story or a song to provide a backstory, is intrusive at best and tiresome at worst.
okay, that's my rant for the morning. now i have to go off and write more software documentation.
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I
was just gonna posthave had for a while on backlog a rant to just this point: TRUST YOUR MATERIAL, SHUT UP AND SING!It's on my mind for several reasons -- Madcap Rumpus Soc. needed less (or a different sort of) MCing than they got, talky performers at NEFFA -- but really it was the big beautiful posters promoting Deborah Henson-Conant's show popping up around town. She's not this worst offender, but she's the most heart-breaking (for me) because she has sooooo much going for her musically, and she doesn't let herself use it at all, constantly upstaging the music. GRAAAARRRR!!
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And, yes, it IS a good general policy. Let the music speak for itself. If someone Really wants to know, they can ask when they come up to buy your CD!
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That said, I want the banter to NOT be the main time or anywhere near.