"Many scholars believe that the original Beowulf poem was a Christian
propagandist restructuring of familiar tales to impose Christian values on
them. So one can hardly blame a modern retelling for imposing current rules
of cinematic story structure on the film." --
amelia_g,
2007-11-25 [in a movie review that finally made me want
to go see the movie despite having thought, "oh come on, it'll be
some sort of spectacular but can we trust Hollywood to do justice
to a story like that without cheesing it up?" -- Amelia's review
offers a mindset that might allow me to really enjoy it]
"There is some buzz about whether the technology involved in making Beowulf will ultimately somewhat replace actors, or at least turn them into licensable clip art. I will be interested to see if this sort of technology will ultimately mean that writers and scenic designers and people like that will receive more credit for how a movie turns out. Before I knew anything about how Hollywood works, it used to trouble me, as a consumer, that whether or not I enjoyed a movie depended very much on plot and story structure, only movies were never advertised as 'written by the guy who wrote that other thing you liked.'" -- ibid.
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Next time I manage to corner my doctor I'll ask whether Vitamin D was includde inthe last batch of bloodwork. In the meantime, I suppose I can just start experimenting with how supplements make me feel, after the next time I feel well enough to walk to the drug store.
Thanks for the info.
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Here's a thread on a vitamin D and fibro that I found: http://brain.hastypastry.net/forums/showthread.php?t=3214 Has some links to medical journals with studies of vitamin D and various conditions including fibro.
Good luck with it!!
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I remember reading P G Wodehouse on how writers used to be treated in Hollywood, and hoping very much that he was exaggerating...
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For instance, Harlan Ellison, who seems compelled to document the atrocities in car-crash detail, recounts several multi-million-dollar production deal meetings where the executive with whom he was meeting hadn't even read the script. Also, if you really want a wince-worthy anecdote, look up his story about doing a pitch for Star Trek: The Motion Picture and being asked to put Mayans in the story segment that dealt with pre-human times... If that's not good enough for you, look up the anecdote where he was giving a pitch -- which must, by contract, be done verbally, with no "spec writing" allowed under hard-won union rules, and someone taped his oral presentation without his knowledge or consent, transcribed it, and wanted to use it as a first-draft screenplay. No matter what Lubachevsky said about the secret of success, if you do that crap to Harlan Ellison, you'd better be prepared to be on the receiving end of a hurricane made of trouble...
Another friend of mine who writes screenplays (and other things) for a living describes being jollied through the negotiation phase more times than he can count, only to have deal after deal scrapped suddenly with no compensation to him. (Print writers often get what they call a "kill fee" if a tentative agreement has been made but then the work doesn't see print, and the rights revert to them automatically. With screenwriters, I'm under the impression that reverting the rights is nearly impossible.)
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