(Huh. It's mid-November and I just had to go open some
windows because it's warmer outdoors than inside my house.
Let's see whether this makes my fingers start working a
bit better.)
I hate writing.
I seem to be pretty good at it, if perhaps a bit
uneven, but I don't like doing it. Oh, I like having-written,
especially when people say nice things about what I wrote ...
and sometimes the "words tumble out" kind of writing is fun
and makes me feel so clever while I'm doing it ...
but the act of sitting down with a clear goal, an idea that I
need to communicate, or an assignment, and wrestling the
phrases into shape, hearing them creak as I bend them and my
own grunts as I strain to do so, being burned by the sparks as
I weld a new clause into place; struggling to hoist the bricks
of the next paragraph onto the page and painstakingly eyeing
the mortar to make sure the thoughts are aligned correctly as
I lay them; bearing down on the plane, the rasp, and the chisel
as I smooth and decorate the edges of an essay; making the
first chip in the blank page I'm about to carve by bashing
my head against it ... that part I hate. I think I hate
making dozens of passes with finer and finer grades of
sandpaper -- editing -- even more. I like having written,
but I don't like writing.
When I say I seem to be good at it, that's because I've
been tapped to play technical writer many times not because
I was available -- I've often had plenty else on my plate,
other things I'm good at and enjoy more -- but because without
a real technical writer on the team I was the only
one the boss trusted to do it well. Or because there have
been other people available who could do an adequate job but
I was expected to do it best. (Is it any wonder that I value
tech writers as highly as I do?) It's also because I wrote
a piece of erotic fiction that gave people nightmares. And
because I find references to the essays I feel least
secure about, describing them as eloquent. (The words-tumble-out
pieces are mostly described as poetic and/or amusing when they
are praised, and those make me feel good as well, but the ones
described as eloquent nearly always take me by surprise.)
The thing is, I don't feel like I'm good at writing,
because I find it difficult.
I do feel that I'm "good with language" -- there is poet
in me -- but not "good at writing". Despite the evidence.
Writing also frustrates me because it is slow. I type
quickly. I spout conversational email quickly. Likewise
flames and counterflames (an urge I try to keep in check).
When a programming task takes a long time, it's because it's
a large task, not because it goes slowly -- I see the progress
minute by minute. Making music happens at its own speed;
learning music doesn't feel slow. The speed of cooking is
process-defined, not skill-dependent. But real writing,
goal-directed, worry about the quality, "a first draft won't
do" writing, is painfully slow. Frustratingly slow. "Mommy,
are we there yet?" slow. Slower than anything else I'm good
at. And when I delete four paragraphs that I've already
rewritten three times, because I've finally realized that
there's just no way I'll be able to slide back into the flow
of the essay after them even if I do miraculously find a way
to make them not inherently clumsy, then it feels like I'm
moving backwards.
An essay or a user's manual takes too long already; the
thought of a novel or a proper reference book terrifies me.
Have I mentioned that I hate writing?
It's not that I hate work. Well, okay, not entirely
anyhow. I can work very hard on a computer program and
enjoy doing so. Likewise with music: most of the time it's
easy, but when the difficult work comes along -- the six
hour rehearsals, the "in over my head" situations, the
rewire-my-brain-for-this complexities -- I'm still glad
to be making music. And I still know that I'm good at it.
And I can finish a performance or listen to a recording,
look at a poem, test a program, taste a meal, or see a
student's test score, and know that what I have done,
easy or not, is good.
But when I write, the works that I feel okay about may or
may not elicit comment, but the ones that I never managed
to feel satisfied with, the ones "not so much completed
as abandoned" because I despaired of making them quite what
I wanted them to be, those are the ones that others call
good.
Perhaps it is the very fact that those pieces worried
me so that makes them good. That my insecurity about them
caused me to put in enough sweat, enough attention and
frustration and time, to make them better than
anything I toss off (pun intended) cockily. Still, the
important ones escape because I can no longer stand to
have them under my fingers, or because I have run into a
deadline, not because I feel I have finished them, so the
praise winds up surprising me when it comes.
My head is full to bursting with things I wish to have
written. But between not feeling as though I have the
time -- because of more pressing tasks, as well as how
long writing takes -- and sheer dread of the writing, they
accumulate, pressing more and more urgently against the
inside of my skull until sometimes I am literally
close to tears from the pressure of ideas seeking outlet.
Once in a while a few must leave. Unfortunately it is not
as simple as opening a hole and allowing them to push
themselves out -- oh, if only there were so simple a remedy
for this presure as trepanation! Instead, I must create
the completed idea outside of my skull, brick by brick, rod
by rod, comma by comma, before the copy inside can vanish
and the pressure decrease by an iota.
I really hate writing.
To quote the Sheepie (IIRC), "My muse is a bitch."
(Now maybe I've written enough words that I can go work
on that damned concerto that's been pestering me for the
past two weeks.)